Nimitz, one of three admirals who believe taking the Gilberts is critical for the forthcoming, important campaign in the Marshall Islands. (U.S. Navy photo.)
Today in 1943 the Allies have begun pecking away at targets throughout the Gilberts, including Tarawa, in advance of a full-scale operation in the Gilbert and Marshall Islands, almost two years after Japan swept in to occupy the islands following the Pearl Harbour attacks.
Alice Faye, Anne Whitfield, Phil Harris, and Jeanine Roos at the mike. (Photo: NBC.)
“The writing,” John Dunning (in On the Air: The Encyclopedia of Old-Time Radio) wrote of The Phil Harris-Alice Faye Show, “was razor sharp; the scripts by Ray Singer and Dick Chevillat were so raucous that four-to-five minute cuts were often necessary to allow for audience laughter. The principle of contagious laughter was maximised in the overhead placement of audience microphones, making it one of the loudest shows on the air. Some of the brilliance went out of the scripts when Singer and Chevillat departed . . .”
Murrow never met a bombing mission he couldn’t fly, if allowed to. (Photo: CBS/Bettman Archive.)
The Dutch called 5 September Dolle dingstad, or Mad Tuesday—because the Allies had advanced so far toward their borders in the wake of D-Day that the Dutch believed they were thisclose to liberation. The campaign to liberate the Netherlands from the Nazi grip is in full swing, of course; Operation Market Garden—bidding to move from the Dutch-Belgian border over the Meuse, Waal, and Rhine rivers—proves only a partial success; the Allies can’t capture the Rhine bridge in the Battle of Arnhem.
Arch Oboler. (Photo: NBC.)
Arch Oboler hardly flinched when he was handed the job of taking Wyllis Cooper’s reins for Lights Out, when Cooper left his creation in May 1936 for what proved a modest screenwriting career. Before his first Lights Out run is finished, Oboler will write and direct over a hundred installments, developing the stream-of-consciousness techniques that help establish him as radio’s new macabre master.
The Jordans, early in their Fibber McGee & Molly years. (Photo: NBC.)
Jim and Marian Jordan are actually married 21 years when tonight’s broadcast is delivered. The marriage of these childhood sweethearts probably testifies most to their perseverance, since her parents were far less than thrilled about their daughter’s dreams of life in the theater and her romancing by a farm kid who shared those wild-eyed dreams. To say they came up the hard way is perhaps the understatement of the hour.