Just in case you missed the first time . . .
- 6 June: D-Day On the Air—73 Years Later
- 31 December: Here’s to the New Year
- 24 December: ‘Tis the night before Christmas
- 20 December: From Macy’s to Dickens on the plains
- 12 December: Eden rocked
- 9 December: The aftermath, continued . . .
- 8 December: Immediate aftermath
- 7 December: The date still lives in infamy
- 5 December: The mean widdle man-kid
- 21 November: Freed fall
We’re building a history here . . .
Tag Archives: Clair Schulz
At any period during the show’s long, distinguished, and beloved life, Fibber McGee & Molly could give the impression that without Marian Jordan’s presence as honey-natured Molly—at least after the show got its first makeover and her character was smoothed just so—the show would have fallen apart, the world of Wistful Vista would have collapsed like the proverbial house of cards without her affectionate sensibility.
But according to Clair Schulz, in Fibber McGee & Molly On the Air, 1935-1959, the precise opposite turns out to have been the case:
“With the need to ‘write funny’ no longer present because the episodes were pre-recorded in a studio,” Clair Schulz will write in Fibber McGee & Molly On the Air (1935-1959), “too many of the fifteen-minute Fibber McGee & Molly shows seem intent on developing a story that would continue the next day instead of making each episode amusing and rewarding.”
That would be true now and then but not in the larger picture. The shift to the fifteen-minute dailies probably seemed jarring at first to listeners who couldn’t accept the unfamiliarity of new announcer John Wald, the departure of several supporting characters other than Teeny, Dr. Gamble, Wallace Wimpole, and the Old-Timer, or the absence of the long familiar music interludes.