Just in case you missed the first time . . .
- 31 December: Here’s to the New Year
- 24 December: ‘Tis the night before Christmas
- 20 December: From Macy’s to Dickens on the plains
- 12 December: Eden rocked
- 9 December: The aftermath, continued . . .
- 8 December: Immediate aftermath
- 7 December: The date still lives in infamy
- 5 December: The mean widdle man-kid
- 21 November: Freed fall
- 20 November: A twin triumph for Lurene Tuttle
We’re building a history here . . .
Tag Archives: Dragnet
Ravel composed Pavane pour une infante défunte (Pavane for a Dead Princess) in 1899, while studying at the Conservatoire de Paris, and dedicated it to the Princess de Polignac—known otherwise as Winnaretta Singer, a lesbian in a chaste but (in the context of her time) peculiarly loving marriage to the homosexual Prince Edmond de Polignac, who shared her passion for music . . . and an heiress to the Singer sewing machine fortune, who used her portion of it to sponsor serious music, other arts, and sciences for the rest of her life, following her husband’s death in 1901.
A New Orleans legend of a tall tale that once inspired generations of black children, and possibly no few white children, is given an unforgettable radio treatment tonight.
Picking up where the legendary Columbia Workshop left off several years earlier, The CBS Radio Workshop may be destined for a single season. If it may have arrived too late to rescue network radio from its irrevocable fadeaway, its transcendent bicoastal efforts—the series alternates weeks between East Coast and West Coast productions—produce numerous highlights including and especially “The Legend of Annie Christmas.”
The sober actor best known as the title waterfront detective in Pat Novak, leaving that show as it was hitting stride, Webb was impressed when working on a film, He Walked at Night, and getting to know Los Angeles police sergeant Martin Wynn, the film’s technical advisor. When Webb discovered Wynn shared through experience what he believed by instinct—that police life and investigative work was its own kind of drama, without the over-the-top embellishments typical of crime dramas on radio and in film—Dragnet was inseminated.
I’m not entirely certain that only this series could have dreamed up an absurdist fantasy such as tonight’s offering—in which a World Series is decided on a pitch considered so revolutionary and dangerously unhittable that the Series ends with an umpire’s ruling that triggers a swarming fan riot that triggers a court inquiry and a Congressional investigation into whether the pitch should be allowed to kill the game once and for all.