Just in case you missed the first time . . .
- 6 June: D-Day On the Air—73 Years Later
- 31 December: Here’s to the New Year
- 24 December: ‘Tis the night before Christmas
- 20 December: From Macy’s to Dickens on the plains
- 12 December: Eden rocked
- 9 December: The aftermath, continued . . .
- 8 December: Immediate aftermath
- 7 December: The date still lives in infamy
- 5 December: The mean widdle man-kid
- 21 November: Freed fall
We’re building a history here . . .
Tag Archives: Elliott Lewis
Nicknamed “Mr. Radio” because of his versatility and practically daily employment as an actor, director, producer, and writer, Elliott Lewis’s heart is deeper in directing, writing, and producing, than it’s ever been in acting. “I never enjoyed acting,” he’ll say many years later. “I was able to do it, because it’s a trick, and it’s a trick that somehow I knew how to do, without any training.”
“The writing,” John Dunning (in On the Air: The Encyclopedia of Old-Time Radio) wrote of The Phil Harris-Alice Faye Show, “was razor sharp; the scripts by Ray Singer and Dick Chevillat were so raucous that four-to-five minute cuts were often necessary to allow for audience laughter. The principle of contagious laughter was maximised in the overhead placement of audience microphones, making it one of the loudest shows on the air. Some of the brilliance went out of the scripts when Singer and Chevillat departed . . .”
There is a pall over tonight’s Lux Radio Theater production of this classic light-to-medium comedy.
It may not become evident until the broadcast’s end, when host DeMille addresses it directly, but Hollywood, and much of the world, is mourning the unexpected and premature death of one of the film industry’s genuine early giants.