Just in case you missed the first time . . .
- 6 June: D-Day On the Air—73 Years Later
- 31 December: Here’s to the New Year
- 24 December: ‘Tis the night before Christmas
- 20 December: From Macy’s to Dickens on the plains
- 12 December: Eden rocked
- 9 December: The aftermath, continued . . .
- 8 December: Immediate aftermath
- 7 December: The date still lives in infamy
- 5 December: The mean widdle man-kid
- 21 November: Freed fall
We’re building a history here . . .
Tag Archives: Gracie Allen
One of old-time radio’s greatest comic stunts might have been inspired by politics on the surface, but it also drew inspiration from its protagonists’ ratings drop . . . and proved only to be a short-term fix in the end. Which, come to think of it, is just about what most political fixes prove to be, no?
Jack Benny in 1935-36 is a man in transition. Long based in New York, Benny finds himself getting enough film offers from Hollywood that he figures a move to California is about the only way to satisfy that demand while continuing his increasingly popular radio show.
Although they had equal billing, this married couple headlined a show that was wholly dependent on the skewed behavior of one of its stars, Gracie Allen. It took a big man, George Burns, to recognize that his wife was the laugh-getter, and to yield to her as the quintessential straight-man.
—Jim Cox, in American Radio Networks: A History (2009).
By 1939-40, George Burns and Gracie Allen are among old-time radio’s most frequent time and sponsor changers: this season shows the couple with their fifth such change in eight radio seasons, working at 7:30 p.m. Wednesday night on CBS for Hind’s Honey & Almond Hand Cream.
By the end of the 1940-41 season, George Burns and Gracie Allen have a serious problem on their hands. The longtime boy-girl core of their routines may have made them stars when they took them from vaudeville to radio, but they now seem as refreshing as a year-old beer.