Just in case you missed the first time . . .
- 6 June: D-Day On the Air—73 Years Later
- 31 December: Here’s to the New Year
- 24 December: ‘Tis the night before Christmas
- 20 December: From Macy’s to Dickens on the plains
- 12 December: Eden rocked
- 9 December: The aftermath, continued . . .
- 8 December: Immediate aftermath
- 7 December: The date still lives in infamy
- 5 December: The mean widdle man-kid
- 21 November: Freed fall
We’re building a history here . . .
Tag Archives: Jack Webb
If The Big .22 Rifle for Christmas proves Dragnet wholly (and perhaps uncharacteristically) capable of a tragic tear-jerker, then tonight’s episode—aired a year later—proves the customarily no-nonsense crime drama could deliver a tear-jerker that may well leave you with gentle admiration for a holiday thief.
This, too, would be taken to the show’s original television version and to its mid-to-late 1960s television remake. And, neither will feel quite as embracing as the radio original that lets your mind’s and your heart’s eyes operate.
Those who remember Dragnet strictly from its late 1960s-early 1970s television revival, when it seems to be little more than a growing anti-hippie/anti-youth exercise in police recalcitrance, albeit far less aggressive as such than similar exercises, may be shocked at times to discover the radio original and the first television version it sired could be called deeper in more than one way.
The sober actor best known as the title waterfront detective in Pat Novak, leaving that show as it was hitting stride, Webb was impressed when working on a film, He Walked at Night, and getting to know Los Angeles police sergeant Martin Wynn, the film’s technical advisor. When Webb discovered Wynn shared through experience what he believed by instinct—that police life and investigative work was its own kind of drama, without the over-the-top embellishments typical of crime dramas on radio and in film—Dragnet was inseminated.