Tag Archives: Rocky Fortune

2 March: The slings and arrows of Rocky Fortune

 

Sinatra. (Photo: NBC.)

Sinatra. (Photo: NBC.)

Depending upon whose analysis you heed, Frank Sinatra was either bored with or marking time with Rocky Fortune. The premise of starring Sinatra as a down on his luck temp worker stumbling his way into crime solving wasn’t necessarily a terrible one. As often as not Sinatra has seemed to go through the motions, to several critics and to many listeners.

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A Depression farce: Old-time radio listening, 30 November-1 December

Lux Radio Theater: A Man’s Castle (CBS, 1 December 1941)

Early and elemental Tracy . . . (Photo: Unknown publicity photo)

Spencer Tracy reprises one of his earliest—and most arresting—film roles in a performance that’s just about as arresting even with the requisite radio adaptation and editing.

As millions are jobless in the Great Depression, a squatter’s camper (Tracy) takes in a homeless young lady (Ingrid Bergman, in the Loretta Young film role). He feeds her as she makes him a castle inside a shack and falls in love with him despite his restless nature. There’s just one little hitch: when he discovers she’s pregnant, he wants nothing more than to hop the first freight train out of town.

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Too close for Sinatra’s comfort? Old-time radio listening, 17 November

Rocky Fortune: A Hepcat Kills the Canary (NBC, 1953)

Sinatra sometimes bumped against his own real-time heartbreak playing Rocky Fortune . . . (Photo: NBC)

Tonight’s installment in this short-lived, off-beat crime drama—it may prove a kind of pilot fish for television’s later-1950s smash, 77 Sunset Strip, playing the private-eye theme for laughs, with an accidental protagonist who isn’t even a private eye, license or otherwise, as 77′s jaunty Kookie will be—may hit a little too close to home for its between-sorts star.

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A ghostly princess: Old-time radio listening, 20 October

Quiet, Please: Pavane, the Girl with the Flaxen Hair (Mutual, 1947)

The Princess de Polignac, patron and muse of Ravel, inadvertent inspiration for a classic Quiet, Please . . . and an heiress to the Singer sewing machine fortune. (Photo: Possibly public domain.)

Ravel composed Pavane pour une infante défunte (Pavane for a Dead Princess) in 1899, while studying at the Conservatoire de Paris, and dedicated it to the Princess de Polignac—known otherwise as Winnaretta Singer, a lesbian in a chaste but (in the context of her time) peculiarly loving marriage to the homosexual Prince Edmond de Polignac, who shared her passion for music . . . and an heiress to the Singer sewing machine fortune, who used her portion of it to sponsor serious music, other arts, and sciences for the rest of her life, following her husband’s death in 1901.

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