Just in case you missed the first time . . .
- 6 June: D-Day On the Air—73 Years Later
- 31 December: Here’s to the New Year
- 24 December: ‘Tis the night before Christmas
- 20 December: From Macy’s to Dickens on the plains
- 12 December: Eden rocked
- 9 December: The aftermath, continued . . .
- 8 December: Immediate aftermath
- 7 December: The date still lives in infamy
- 5 December: The mean widdle man-kid
- 21 November: Freed fall
We’re building a history here . . .
Tag Archives: The Great Gildersleeve
The Pine Ridge philosophickers, unafraid to step just slightly beyond their serial element for the right occasion, have just that in this holiday classic. And if you think you can smell the potbelly stove burning, hear the occasional clatter of store wares, or even sense what Gerald Nachman would call a horsefly crawling across a sack of feed, when you listen to this quiet, rustic, but hardly dull-witted rural slice-of-life, just wait until you smell and sense the snow and the occasional brisk, slicing shaft of wind tonight.
That’s what a post card offers at the Wistful Vista Wholesale Outlet, a natural lure for a sucker like our man McGee (Jim Jordan). But it’s the program beginning which makes this program particularly significant, especially in light of what this show and its performers will come to mean throughout the war.
Spencer Tracy reprises one of his earliest—and most arresting—film roles in a performance that’s just about as arresting even with the requisite radio adaptation and editing.
As millions are jobless in the Great Depression, a squatter’s camper (Tracy) takes in a homeless young lady (Ingrid Bergman, in the Loretta Young film role). He feeds her as she makes him a castle inside a shack and falls in love with him despite his restless nature. There’s just one little hitch: when he discovers she’s pregnant, he wants nothing more than to hop the first freight train out of town.
Yes, this is the same as the 6 November 1944 episode known first as “The Twins.” Unfortunately, “The Twins” was pre-empted, allowing CBS’s national network to carry a speech by Republican presidential aspirant Thomas E. Dewey, the former New York governor challenging Franklin D. Roosevelt, in the first of Dewey’s two failed White House bids.
Suspense and Escape dipped into the genre once in awhile. Quiet, Please was a very occasional dipper but focused, as always (and brilliantly), on the psychological fantasy first. Flash Gordon and Buck Rogers were strictly for the kids and often as not insulted even their intelligence. Not until 1950, when Destination Moon becomes a film hit, does old-time radio find an impetus for a full science fiction series, and the first such show, Dimension X, will prove as well to be the best of its breed.