Just in case you missed the first time . . .
- 31 December: Here’s to the New Year
- 24 December: ‘Tis the night before Christmas
- 20 December: From Macy’s to Dickens on the plains
- 12 December: Eden rocked
- 9 December: The aftermath, continued . . .
- 8 December: Immediate aftermath
- 7 December: The date still lives in infamy
- 5 December: The mean widdle man-kid
- 21 November: Freed fall
- 20 November: A twin triumph for Lurene Tuttle
We’re building a history here . . .
Tag Archives: The Halls of Ivy
Jack Benny has been building a steady climb since his premiere as a radio lead in 1932, and this season the work pays off—he’ll achieve his first number one finish in his time slot, on his night, and for the entire season in 1936-37.
Two days in November. The perfect palliative for electoral hangovers, considering that, the way we got blitzed with political ads this time around, oh brother did we need a drink—even before we went out to vote, if we did . . .
Unusually, Fred Allen acts as his own announcer to open the show, from a nod to the increasingly swift movements of Allied forces across Europe to the introduction of the first orchestral number—before he brings forth actual announcer, Arthur Godfrey.
Godfrey is something of a rising radio star thanks to his morning exercises out of Washington and, as John Dunning (in On the Air) would describe it, there is sufficient buzz in the press over the folksy-sounding capital ad-libber teaming up with network radio’s long-established master ad-libber and satirist.
“Someday,” Don Quinn will tell a 1965 panel of American comedy writers, three years before he will die himself, “I hope to write the definitive work on comics, comedians, and humourists . . .”
A comic is a strange and fascinating breed; almost always from the wrong side of the tracks; no education—anything for a laugh . . . A cut above him, the comedian, who’s a little more literate, a little more educated . . . And, above the comedian, is the humourist. They fall pretty well into categories.
Already familiar (too much so, to his faculty and his students) as imperious blowhard high school principal Osgood Conklin on Our Miss Brooks, Gale Gordon more or less kicks himself upstairs when he accepts a recurring role, quite on the side, in a show for which he’d originally auditioned as the program’s lead.
It might seem peculiar, considering his entrenchment as Conklin, but Gordon was actually considered for The Halls of Ivy‘s lead, when creator Don Quinn (Fibber McGee & Molly) arranged to cut an audition disc in 1949.