Just in case you missed the first time . . .
- 31 December: Here’s to the New Year
- 24 December: ‘Tis the night before Christmas
- 20 December: From Macy’s to Dickens on the plains
- 12 December: Eden rocked
- 9 December: The aftermath, continued . . .
- 8 December: Immediate aftermath
- 7 December: The date still lives in infamy
- 5 December: The mean widdle man-kid
- 21 November: Freed fall
- 20 November: A twin triumph for Lurene Tuttle
We’re building a history here . . .
Tag Archives: The Jack Benny Program
Eddie Anderson was the son of a minstrel performer and one of the extremely few black high-wire artists. His father objected to his traveling up and down the west coast as a teenage entertainer. But he eventually became the first black performer hired for a permanent radio cast spot and almost as much of a radio institution as the man who hired him in the first place.
Saying farewell to the network that’s been his radio home since 1932 isn’t exactly easy for Jack Benny, no matter how gracious he is about it publicly. But considering how frequently shows changed networks previously, and often as not at their sponsors’ behest, Benny’s pending jump is a very big deal, indeed.
In 1938, the Sudeten crisis comes to a boil; in 1940, the London Blitz continues apace, with a particularly understated but gripping report from CBS legend Eric Sevareid.
WORLD WAR II: A CRISIS AND A BLITZ
Czechoslovakia’s English-speaking radio station denies Czech pressure against German-born citizens being restricted or under arrest, as Nazi and Hungarian propaganda broadcasts have charged. The broadcast also discusses Il Duce, Benito Mussolini of Italy, calling for a plebiscite to resolve the Sudetenland crisis—a plebiscite the embattled Czech government fears will not resolve the Sudeten crisis or questions about nationality relations within the country itself.
James Stewart, who’s done enough guest shots to know, should have been a natural for network radio. His laconic vocal style and ability to immerse himself in even the lightest characterisation should have added radio star to his resume. The problem was, when he finally finds a regular vehicle for his gifts, it comes a decade too late.
No less than The Commonweal, the lay Catholic intellectual journal of opinion, is impressed that Dragnet leaves a number of heretofore intractable radio crime drama stereotypes behind:
[N]o stereotypical hoodlums with congenital inability to voice the tongue-point dental fricative; no dem’s and dose’s. If intelligence can be measured as the number of shades visible between black and white, Dragnet is an intelligent program. Character is not subordinated to the arbitrary requirements of an action-packed script.