Just in case you missed the first time . . .
- 31 December: Here’s to the New Year
- 24 December: ‘Tis the night before Christmas
- 20 December: From Macy’s to Dickens on the plains
- 12 December: Eden rocked
- 9 December: The aftermath, continued . . .
- 8 December: Immediate aftermath
- 7 December: The date still lives in infamy
- 5 December: The mean widdle man-kid
- 21 November: Freed fall
- 20 November: A twin triumph for Lurene Tuttle
We’re building a history here . . .
Tag Archives: Words at War
Vichy France signed its 1940 armistice with Hitler’s Reich with stipulations that included, formally, French armed forces in German-occupied territory to be moved to unoccupied territory and discharged. The provision proved a dupe to the French soldiers, allowing them to allow the Nazis to surround and herd them into camps, where they only thought they were awaiting their discharges.
Good luck with that.
Fibber McGee & Molly has been remarkably effective in putting over wartime issue stories other comedies often stumble to deliver, largely because the first couple of 79 Wistful Vista and their master writer Don Quinn avoid lapses into blatant propaganda. And, with the full consent and support of their sponsor.
By now scattered, clumsy-minded, but bighearted Fibber McGee and his salt-of-the-earth, sweetly acid, patiently loving wife, Molly, have settled at 79 Wistful Vista. It’s probably easy to forget what old-time radio’s crown couple (if they’re not, they’re at least among the top three finalists) did before they got here.
It seems perversely appropriate that the nation’s Uncle Miltie-to-be delivers a good-natured satire of radio a year before he becomes Mr. Television. For all his radio years, Milton Berle will probably be the luckiest man alive to land his Texaco Star Theater television job and legend—because he’s actually known as old-time radio’s biggest prolonged failure.
Jim and Marian Jordan have actually been married 21 years today. That the childhood sweethearts were married at all probably testifies to their perseverance more than anything else, considering Marian Driscoll’s parents were far less than enthused about a) their daughter’s dreams of a life in the theater; and, b) her romancing by a farm kid with the same wild-eyed dreams.